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IT DOESN’T GET MUCH DARKER THAN THIS. RIDING THE TRAIN THROUGH THE ABYSS. LEFT ALL THE GOOD ONES BEHIND. NOT BECAUSE I WANTED TO BUT BECAUSE IT WAS TIME. I’VE COME A LONG WAY. NOT LET’S JUST LIE HERE, TELL ME HOW IT’S LIKE FAR OUT AT SEA. BUT YOU CAN’T GET TO THE POINT SO I DOUBT THAT I CAN GIVE YOU ALL OF ME BUT WE LET SHIPS COLLIDE. BUT WE LET SHIPS COLLIDE. I JUMP INTO THE WATER. EVERY TIME I DO IT’S NOT EVEN COLD. SO I JUST FLOAT ON MY BACK AND I TRY NOT TO DO WHAT I AM TOLD AND I WATCH YOU AS YOU WANT YOUR GOD TO WATCH OVER YOU BUT YOU’D LIKE TO CHOOSE WHAT HE’S ALLOWED TO SEE. YOU REMOVE YOUR SIGN OF RELIGION, HE MAY SEE YOU DRINK BUT HE SHOULDN’T SEE ME. I LOOK BACK INTO THE COUNTRY WHERE I EMPTY MY HEAD WHILE IT KEEPS BEING REFILLED WITH A MILLION DIFFERENT PEOPLE RUNNING ON BAD COFFEE AND AIR CONDITIONING AND IF YOU TELL ME YOUR STORY I MIGHT EVEN TELL YOU MINE BUT I MIGHT NEED TO GET OFF REAL SOON, I ALWAYS TAKE THE SEAT IN THE AISLE. BUT THEN TONIGHT WE LET OUR SHIPS COLLIDE. WE LET OUR SHIPS COLLIDE. WE LET OUR SHIPS COLLIDE.
from SQUALLOSCOPE - SOFT INVASIONS,
released March 16, 2012
written, recorded & produced by Anna Kohlweis. mastered by Martin Siewert.
(c) + (p) Seayou Records 2012
supported by 52 fans who also own “SQUALLOSCOPE - SOFT INVASIONS”
I love the back and forth between the candidates, especially hearing all of Hiram McDaniel's five heads, the Faceless Old Woman was wonderful, Kevin's surprise appearance was amazing and his eerily happy voice created a visual of a creepy smiling man. meowsaysthekat